A TALE OF CHRISTMAS

Due to my busy professional schedule. Christmas Day is any day between December 8 and January 17 of the following year. For that reason-and my occasionally confused state of mind-Christmas trees are not a seasonal pursuit to me, but rather are something to be replaced once in a while, usually during one of those -ber-ending months.
A few years ago on a Christmas Night, I was deflated and exhausted. So much spirit and effort spent, I thought, for one calendar day. I'd worked pretty hard to make everybody else smile during that particular Christmas Day.
To reward myself and revive my spirit, I decided to treat myself to a movie, and the seven o'clock show of Monsters, Inc. at the Mall Cinemas was convenient.
Monsters, Inc is a Disney/Pixar enterprise-I guess they'll become just Pixar enterprises after the next two-and I'm pretty sure you're aware by now that when you buy a ticket to a Disney/Pixar enterprise, you sign on for a very specifically calculated experience designed to spit you out of the auditorium with a smile on your face, a song in your heart, and a tear in your eye…all in, like, a hundred minutes flat.
And it usually works. I departed the theater that night feeling pretty good, but feeling that-with all the work I'd done to make that particular Christmas Day a happy one for so many people-I deserved to feel, well, gooder.

I figured that the way to do just that was to locate and obtain a copy of the last Disney/Pixar enterprise, Toy Story 2. It's surely on video by now, I thought.
I remembered the time when I'd first seen Toy Story 2: A Christmas night a few years previous, sometime before or after Thanksgiving, when I'd learned I'd been sentenced to take two of my sister's kids, Tim and Alyssa, to the movies.

It was a magical night which I'll remember always; the night Alyssa disappeared into the Mall Cinema's ladies' room to freshen up and fix her hair for thirty-five minutes or so.

Timmy and I occupied our time by moving from auditorium door to auditorium door within the multiplex, casually leaning outside each for a while, and watching trailers advertising upcoming features. And looking cool, I might add. Being guys, our hair already looked great, and we didn't care how we smelled.

But when too long became way too long, even by Alyssa's calendar-and after twice seeing a trailer for a little gem called Random Hearts-Tim and I decided we had to take action and storm Alyssa out. We walked over to post ourselves outside the ladies' room door, our improvised plan being to flank the door, cough real loud, and fuss her out. If that didn't work, we agreed that a recon mission would probably be necessary. That was Plan B. Plan C involved smoke.

But as soon as we arrived at the door to enact Plan A, Alyssa emerged. Her hair looked swell, but she quickly summoned Tim away for a spirited private colloquy, myself excluded.

Soon, I heard Tim say, "You'd better tell Uncle."

And Alyssa began to walk, uncertainly, toward me.

Every adult's worst nightmare: Somebody call the cops and tell 'em to seal the building. And call the hospital and tell 'em to get out the dolls. We're on our way.

I sat down. Motioned for Alyssa to sit beside me.

"Uncle…?" she began.

"Yes, honey?"

"You know how you always tell us it's important to wash our hands after we go to the bathroom?"

"…Uh…yes, honey…?"

"Well, that lady over there didn't!"

"…Huh…?"

"She didn't wash her hands!"

I took a deep breath, let it out slowly.

"Alyssa," I began, "some people are just raised in barns, with hogs and sows-"

"Uncle! That lady over there! See her? That one!"

I followed Alyssa's finger and line of sight directly over to the refreshment stand, where the lady Alyssa was referring to was busily scooping up great handfuls of fresh, hot popcorn and selling it to unknowing patrons who were already lined up and paying inflated prices to get it. Occasionally, she'd fill cups with ice and draw soft drinks for them as well. Infecting everything with her germy hands.

"She was real sick in there, Uncle, she-"

And my niece embroidered a picture peculiar to the young in its clarity, astonishing in its vivid nature. And with my overactive imagination, I quickly began to picture the girl as the enemy, a carrier of some rare and deadly strain or typhus or leprosy, dripping death or disease into popcorn containers and soda cups. You've heard of Popcorn Surprise? Check out our Popcorn Hepatitis!

I walked over to the manager and said a few words to him, including a few of Alyssa's graphic details, and he swiftly sent Typhoid Tammy home, to Alyssa's obvious relief. I never saw the girl there again. I sometimes tell myself that I didn't want him to be that severe with her, but I suppose I did.

We had to go to the half-hour later screening of Toy Story 2, and then sit there for a while until the movie started, but it was worth it. We occupied ourselves by snarfing Jujyfruits and guzzling bottled spring water…and counting popcorn eaters. You'd be amazed how many there are.

I tried to persuade the Hero of the Day to stand up in the front of the auditorium and deliver a few remarks to the audience regarding the importance of personal hygiene during food preparation, but Alyssa flatly refused. Every time I'd stand up to introduce her, she'd grab my arm and pull me back into my seat.

So, as you can imagine, I had a pretty good Christmas that day. Toy Story 2 was good, too.
And years later, when Monsters, Inc. spat me back out onto the street, happy and tearful, I wanted to relive the experience of that long ago magical night-I wanted to see it again.
Quarter to nine, stores are open until midnight-let's get the best price! It's Christmas!
All the stores had Toy Story 2 in stock all right…at a price of something like $39.99, when all the other Disney/Pixar enterprises-Toy Story, A Bug's Life-were more like $9.99. Except for Wal Mart, where the prices were more like $38.97 and $9.97, respectively.
Knowing that the day after I'd trot out forty bucks for a video, the price would come down to under ten and I'd be out thirty bucks, my conscience wouldn't let me do it. Why I didn't just rent it, I don't know; I've only watched it once, since.
Soon, I'd checked every store I could think of, except Toys 'R' Us. I'm sure you know as well as I that when the other stores are selling something you want for forty bucks, Toys 'R' Us will be happy to let you have it for a price more like fifty.
But I had to at least try.
Maybe you've noticed that when you get sucked into most Toys 'R' Us stores, you have to walk down a corridor where they have all of their older, outdated toys-last year's popular stuff, mostly-at reasonable prices. In scientific terms, this is called the Corridor of Disorientation; the term for what you experience when you turn the corner and get dumped into the rest of the store and have either a panic- or heart-attack when you see the store's real prices is called Sticker Shock Hysteria. It kinda helps to know these things in advance.
I walked the Corridor of Disorientation, looking neither to the right nor the left. I considered my mission a surgical strike.
When I turned the corner into Toys 'R' Us proper, my eyes betrayed me and I was confronted by a huge display hawking the junky little movie tie-in toys from that Christmas Season's big cartoon release, which-of course-was Monsters, Inc.

The feature of this display was a 6 ½ foot tall, full-dimensional plastic replica of the movie's central character, Sully, covered in blue fur, leaning forward with arms up and outstretched, and a goofy-scary expression on his face

Which was pretty impressive, except for the fact that some careless doof had knocked off Sully's left arm, hitting the irritating little Billy Crystal eye-guy on the…well, the eye.
I recall standing there taking all this in, and thinking, That's pretty cool…except for the arm. I'll bet little kids like it a lot…except for the arm.
Just then, as if by magic, I heard a female voice coming from the Corridor of Disorientation, saying, "Now, honey, I want you to close your eyes and hold onto Mommy's hand, and when we turn the corner, you're going to have a big surprise!"

And I remember thinking, Yep! It's gonna be a big surprise, all right!

But that thought had a little brother: I can't let this happen! Not on one of the Christmases!

I rushed back around the corner, into the Corridor of Disorientation, and my assumption was confirmed: A young, and astonishingly pretty, mother was leading her little kid into the store proper to see Sully and the irritating little Billy Crystal eye-guy…except she didn't know that Sully was short by one arm and the eye-guy was turning black and blue instead of the desired green.

I pantomimed to the young woman, Shhh! Three minutes! Give Me Three Minutes!

Surprised and confused by my wild gesticulating, she told the kid to wait for a second, and peeked around the corner, saw what had happened.

I think I can fix it, I pantomimed, Give me three minutes!

She pantomimed prayer, and surprised me by starting to communicate back to me by way of the all but defunct art of interpretive tap-dance: Oh, please try! It was his first movie!

I gesticulated: I'll try! Remember-three minutes! Then, as an afterthought, I pantomimed a quick post script: By the way…Bravo!

She went back to her little boy; I went to work. The clock was ticking.

I instantly saw that, to reattach the severed arm to Sully's torso, I'd need to line up two foot-long protrusions on the arm socket and insert them into two corresponding holes on the torso. A simple Insert Tab A into Slot B maneuver, which I quickly accomplished.

But to get the upper arm flush with the shoulder-the more complex cosmetic finish, to actually drive the arm and torso the final three or four inches of reattachment-I'd need leverage. Due to Sully's forward-leaning position, I would be unable to accomplish this from the front. And as Sully was too large be moved, there was nothing to push him up against.

So I had to gracefully maneuver myself into the actual display and position myself behind Sully--mold myself against him, so to speak--put my hands onto his upper arms where they meet the shoulders, squeeze, and thrust---

"-uh!…uh!…uh!-"

As the clock was ticking, I didn't realize what, to a casual bystander, this action closely resembled until an elderly woman happened by, afforded me a hard glance, and snorted, "Catholics!"

Go figure.

A moment later, Sully's arm was successfully reattached. I looked at my watch: I'd done the impossible in 00:02:12, leaving me exactly 48 seconds to catch my breath and wipe my brow, so I could persuasively say "Nothing To It!"

With barely 18 seconds to spare, I loudly said, "Done!" and stepped discreetly back, to watch the result.

The young mother led her child-eyes closed, as directed-around the corner leading from the Corridor of Disorientation, and said, "Open your eyes now, honey!"

And the little kid reacted about like you'd expect: "Mommy! Mommy! It's Sully! It's Sully! You know, the John Goodman character from that movie we just saw!"

Young Mom came over to me and said, "It was so sweet of you to do that!"
Nothing to it, I was about to say-
She continued, "How can I ever..."
And I started thinking, between the "Ever" and the "Thank," Why do I always dismiss people when they try to thank me? It's not like I'm the Lone Ranger or something. What I just did is something very few people would've taken the time to do. What would be so horrible about letting somebody thank me, just this one time? I'm not a saint. I'm not subsidized by federal tax dollars.
"---thank you?" she finished.
And I found myself replying, "Well, nothing springs to mind right now, but how about if you tell me your name and give me your phone number, and if I think of something later I'll give you a call?" A gambit, to be sure. But if it works, I thought, this'll be the Merriest Christmas I've had all year!
Instead, Young Mom stuck her hand in my face and wiggled her wedding ring.
"-or not," I added.
So I slithered over to the video aisle. As expected, Toy Story 2 was there…at a price which was appreciably larger than any other stores' prices.

So feeling exhausted and deflated again, not to mention rejected and unappreciated--embarrassed was part of it, too--I headed for the store's exit, thinking

"Why did I even bother?"

And suddenly, I thought: Damn it! I'm not leaving this store until somebody thanks me!

I walked over to the counter. "May I speak with the manager of this store, please?" I said.

"I'm the manager," the guy replied.

"Well," I began, "here's the deal-" I summarized the evening's experiences, quests, and eventual misgivings and disappointments, concluding, "-and this store is selling Toy Story 2 at a completely unreasonable price. How about, just this one time, just for me-call it a gesture of thanks-you come down on your price to something more reasonable?"
"Why, certainly, sir," the manager said. "All you had to do is ask…nobody ever asks! Our list price for Toy Story 2 is $49.99. Just this one time, sir, and just for you, I'll be happy to lower the price to, oh, how about $49.97?"

"That's very funny," I said, and paused. "Let me ask: Does this particular store sell Silly String? Do they still make that stuff? I always hated Silly String."
"Yes, they still make it, and certainly we stock it," the manager said. "Aisle 18 D."

"Take me there," I said, "show me where it is."

"Follow me," he said. "You know it's funny you should mention that you always hated Silly String because I never liked it either…"
And as we walked to Aisle 18 D, the manager told me a story about a traumatic experience he'd once had when he was three or so years old and had never seen Silly String before; his cousin had had a can of red Silly String and, pretending it was blood…well, you get the general idea. Make up your own grisly details. Make it as bad as you'd like.
"That's a pretty awful story," I told the manager when he'd finished.
"It was a pretty awful experience," he said. "Here we are. Aisle 18 D. Silly String is right here."
"What's the cost?" I asked.
"$1.99 plus sales tax."
.

"So I can buy two cans for less that five bucks, total?" I asked

"Yes, sir."

"Oh, and look: You even have red…and green. How appropriate."

"Yes, sir," he said. "…Uh, what's this…"

"Five bucks," I said, shaking the red and green cans. "Thanks enough indeed!"

…Ho!…Ho!…Ho!